• A
  • A
  • A
  • ABC
  • ABC
  • ABC
  • А
  • А
  • А
  • А
  • А
Regular version of the site

Spanish Other in Russian Musical Orientalism

Student: Kirienko Sergei

Supervisor: Anna G. Ganzha

Faculty: Faculty of Humanities

Educational Programme: Cultural Studies (Bachelor)

Final Grade: 9

Year of Graduation: 2016

Our research deals with some key questions concerning musical orientalism in general and “spanish style” in particular. The general purpose of this project is to investigate how “spanish style” – one of Orientalist musical styles – has been constructed in Russian classical music. The methods utilized are those of musicology and semiotics: we work with musical texts of composi-tions and define markers of “spanishness” in means of expression. The results anticipated could advance our understanding of the nature of constructing the image of Spain as the oriental coun-try in Russian music. Further research in this area of studies leads to new thinking about reflec-tions of orientalism in music – either Russian or Western.

Full text (added May 9, 2016)

Student Theses at HSE must be completed in accordance with the University Rules and regulations specified by each educational programme.

Summaries of all theses must be published and made freely available on the HSE website.

The full text of a thesis can be published in open access on the HSE website only if the authoring student (copyright holder) agrees, or, if the thesis was written by a team of students, if all the co-authors (copyright holders) agree. After a thesis is published on the HSE website, it obtains the status of an online publication.

Student theses are objects of copyright and their use is subject to limitations in accordance with the Russian Federation’s law on intellectual property.

In the event that a thesis is quoted or otherwise used, reference to the author’s name and the source of quotation is required.

Search all student theses