The end-to-end plot of "Casses" by Daniil Kharms

This work is devoted to the work of D. I. Kharms (1905-1942), in the study of which special attention is paid to his cycle of short stories "Cases". Since the 1980s, Kharmsa has been under the close attention of researchers studying various aspects of his poetics. This interest is explained both by the originality of the writer's work, and the position in the literary process of the first third of the twentieth century. Harms contributed to the birth of the Russian underground-and at the same time during his lifetime was published as an exclusively children's writer. His "adult" prose was not published during his lifetime. The relevance of the study is the need to study the cycle "Cases", since this work is a complex and multidimensional work with hidden meanings that have not yet been investigated. In addition, it is extremely important to study the issue of the end-to-end plot in the cycle. The novelty of the research lies in the disclosure of new aspects of the plot-the reflection in the narrative of the socio-political realities of the 1930s. Object of research: features of D. I. Kharms ' creativity. Subject of research: poetics of the cycle "Cases". The purpose of the study: to identify the cross-cutting plots of the cycle "Cases". Objectives of the study: 1) consider the concept of a cycle; 2) give a description of the concept of a cross-cutting plot; 3) describe the early stage of Kharms ' formation as a writer; 4) to study the period of creativity associated with " OBERIUT»; 5) consider the poetics and composition of the cycle; 6) to identify the main features of the poetics of the cycle of stories "Cases" 7) to determine the end-to-end plots of the cycle. The methodological basis of the research was: biographical method; cultural-historical method; method of literary analysis. The theoretical basis of the research was made up of the works of the theory of the plot in literary studies: A. N. Veselovsky, B. M. Gasparov, G. V. Krasnov; on the analysis of the literary text: L. G. Babenko, M. M. Bakhtin, E. Ya. Fesenko. The theoretical significance lies in the expansion of the concept of the absurd in literature and about the work of D. I. Kharms. The practical significance of the research lies in the possibility of applying its results in pedagogical or scientific activities. The structure of the study: introduction, three chapters, conclusion, list of references.