Today, we have moved from the political concept of panem et circenses (bread and circuses) to keep the masses happy to the dangers of culture driven by spectacle and politics driven by algorithms. Post-war theoreticians of the crowd had personal experience of fascism, and today contemporary artists are attempting to address similar problems. During the XX April International Academic Conference on Economic and Social Development, scheduled this year for April 9-12 at the Higher School of Economics, Sarah Wilson, Professor of Modern and Contemporary Art at the Courtauld Institute of Art, University of London, will explore some of these issues in her presentation 'Culture and Emigration, Crowds and Power.'
Tuesday, April 20
Anne van Aaken to speak on ‘Rewarding in International Law’
'Master of Finance' Open Day
Wednesday, April 21
MASNA&MDNA Webinar: How to Win Kaggle Competitions