Anna Novikova
- Professor:Faculty of Communications, Media, and Design / School of Media
- Programme Academic Supervisor:Transmedia Production in Digital Industries
- Anna Novikova has been at HSE University since 2011.
Education and Degrees
- 2011
Doctor of Sciences* in Theory and History of Culture
State Institute for Art Studies - 2000
Candidate of Sciences* (PhD) in Theatre Arts
State Institute for Art Studies - 1994
Degree
Lomonosov Moscow State University
According to the International Standard Classification of Education (ISCED) 2011, Candidate of Sciences belongs to ISCED level 8 - "doctoral or equivalent", together with PhD, DPhil, D.Lit, D.Sc, LL.D, Doctorate or similar. Candidate of Sciences allows its holders to reach the level of the Associate Professor.
A post-doctoral degree called Doctor of Sciences is given to reflect second advanced research qualifications or higher doctorates in ISCED 2011.
Student Term / Thesis Papers
- Bachelor
J. Gaponova, Media Projects of 2019 on the Tragedy in Beslan as a Historical Source for Cultural Memory Research. Faculty of Communications, Media, and Design, 2020
E. Golovleva, Culturological Analysis of the Bande Dessinée Metalanguage in the Works of Jean Giraud. School of Foreign Languages, 2020
M. Mishina, The Developing of Magic Universes in Literature, TV Series and Graphic Novels. Faculty of Communications, Media, and Design, 2019
D. Shklyarskaya, Features of Dramaturgy of Video Games in the Style of "Interactive Cinema". Faculty of Communications, Media, and Design, 2019
E. Mankova, Features Of Construction Of Space And Time in Biographical Series. Faculty of Communications, Media, and Design, 2018
M. Volkova, The Serial Dramaturgy in Franchise TV-formats. Faculty of Communications, Media, and Design, 2018
A. Fedorova, TV Programs with Children's Participation: Interrelation of Historical, Ethical and Production Aspects. Faculty of Communications, Media, and Design, 2017
A. Pridanova, "The Image of the Past" in TV Serie: Space, Means, Characters, Values (by the Example of Selected TV Series). Faculty of Communications, Media, and Design, 2016
- Master
A. Vulfovich, The Representation of the Social, Political and Cultural Trends in the Foreign Video Game Industry, 2010–2020. Faculty of Communications, Media, and Design, 2020
V. Koval, The Peculiarities of Producing a Multimedia Project for the Literary Museum Image (Project for the Leo Tolstoy State Museum). Faculty of Communications, Media, and Design, 2019
R. Mukhamadiiarova, Public History in Media Space: Stages of Development and Practices. Faculty of Communications, Media, and Design, 2019
O. Tinmei, Media Anthropology of Urban Environment and Foresight Researches of Urbanists. "Street Lectures. Local History" Project. Faculty of Communications, Media, and Design, 2019
A. Fedorova, Audio Storytelling as an Instrument of Participation in Museum Practices (Project for the Leo Tolstoy State Museum). Faculty of Communications, Media, and Design, 2019
A. Glebova, The Specific of Creating a Scenario for the Documentary Series about Design (Progect for the HSE Art and Design School). Faculty of Communications, Media, and Design, 2019
M. Khokhlov, The Specifics of Creative Production of Documentary Series about Design (Project for the HSE Art and Design School). Faculty of Communications, Media, and Design, 2019
A. Veprintsev, Research of the Target Audience of the Travel-Application (Project TopTripTip - Russia). Faculty of Communications, Media, and Design, 2019
M. Dukhan, Benefits of the Transmedia Approach in the Implementation of a Social City Project. Faculty of Communications, Media, and Design, 2019
I. Ashcheulova, The Peculiarities of Content Creation for the Travel-Application in a Competitive Market (Project TopTripTip – Russia). Faculty of Communications, Media, and Design, 2019
Y. Dobina, Features of Creative Producing of Scientific and Educational Portals (on the example of the «Gogolege» Project Concept). Faculty of Communications, Media, and Design, 2018
L. Kinzikeeva, Legal Support of the Museum Multimedia Extension (Project Work "Gogolege"). Faculty of Communications, Media, and Design, 2018
E. Blinder, Modern Methods of Project Management on the Example of a Multimedia Extension for a Website. Faculty of Communications, Media, and Design, 2018
S. Ksenz, Japanese Public Opinion on the issue of Peace Treaty Signing between Japan and Russia. Faculty of World Economy and International Affairs, 2017
O. Kuznetsova, Practices for Creating Online Content Within the Booktube Community in Russia, 2012-2016. Faculty of Communications, Media, and Design, 2017
U. Lukianchenko, Educational Opportunities of Digital Book Publishing in Multimedia Time (the Project of Commented and Animated Edition of the Digital Book "The Captain's Daughter"). Faculty of Communications, Media, and Design, 2017
A. Sattarov, Internet Meme as an Art Object : the Specifics of Art and Existence in the Media Environment. Faculty of Communications, Media, and Design, 2016
V. Lazareva, Video Blog as a Tool for Promotion of Knowledge, Education and Entertainment Modern Audience. Faculty of Communications, Media, and Design, 2016
S. Chernikova, The Peculiarities of Cultural and Media Practices in Brazil and Mexico. Faculty of Communications, Media, and Design, 2016
Y. Turov, The Architectonic in Screen Adaptations of Literary Works. Faculty of Communications, Media, and Design, 2016
M. Frolova, The Straight Play in a New Digital Environment. Specifics of Cultural Industry Products Promotion with New Media. Faculty of Media Communications, 2014
S. Cherny'shyov, The Straight Play in a New Digital Environment. Products and Promotion Features of Producing the Film Version of a Theatrical Performance. Faculty of Media Communications, 2014
M. Voloshinova, Transformation of the "Bright Future" Myth in Russian and Western Screen Culture in the 2000s. Faculty of Media Communications, 2014
A. Shaxnazarova, The Evolution of Dramaturgical Devices in Horror Video Games. Faculty of Media Communications, 2014
I. Zamedyanskij, The theatre show in the new digital environment»: «The specificity of adaptation of a theatre snow in the new digital environment: from television to the Internet – series». Faculty of Media Communications, 2014
Courses (2020/2021)
- Audiovisual Communication: History and Modernity (Minor; Faculty of Communications, Media, and Design; 3, 4 module)Rus
- Humanitarian Studies and Digital Culture (Optional course (faculty); Faculty of Communications, Media, and Design; 2-4 module)Rus
- Ideological and Aesthetic Codes of Western Cinema (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 3 module)Rus
- News Literacy: News as an Object of Manipulation (Minor; Faculty of Communications, Media, and Design; 1, 2 module)Rus
- Project Seminar (Master’s programme; Faculty of Communications, Media, and Design; 2 year, 1-4 module)Rus
- Project Seminar (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 1-4 module)Rus
- Research Seminar (Master’s programme; Faculty of Communications, Media, and Design; 2 year, 3 module)Rus
- Transmedia Storytelling (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 1-4 module)Rus
- Past Courses
Courses (2019/2020)
- Art Critic of the Theater and Performative Arts (Bachelor’s programme; Faculty of Communications, Media, and Design; 2 year, 2 module)Rus
- Audiovisual Communication: History and Modernity (Minor; Faculty of Communications, Media, and Design; 3, 4 module)Rus
- Basics of Dramaturgy (Bachelor’s programme; Faculty of Communications, Media, and Design; 1 year, 4 module)Rus
- Basics of Dramaturgy (Bachelor’s programme; Faculty of Communications, Media, and Design; 2 year, 3 module)Rus
- Ideological and Aesthetic Codes of Western Cinema (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 3 module)Rus
- Introduction to Art Journalism (Bachelor’s programme; Faculty of Communications, Media, and Design; 1 year, 4 module)Rus
- News Literacy: News as an Object of Manipulation (Minor; Faculty of Communications, Media, and Design; 1, 2 module)Rus
- Pragmatics of Cinema (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 4 module)Rus
- Project Seminar (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 1-4 module)Rus
Project Seminar (Master’s programme; Faculty of Communications, Media, and Design; field of study "42.04.05. Медиакоммуникации", field of study "42.04.05. Медиакоммуникации"; 2 year, 1-4 module)Rus
- Transmedia Storytelling (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 1-4 module)Rus
Courses (2018/2019)
- Audiovisual Communication: History and Modernity (Minor; Faculty of Communications, Media, and Design; 3, 4 module)Rus
- Basics of Dramaturgy (Bachelor’s programme; Faculty of Communications, Media, and Design; 2 year, 3 module)Rus
- Ideological and Aesthetic Codes of Western Cinema (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 4 module)Rus
- Introduction to Art Journalism (Bachelor’s programme; Faculty of Communications, Media, and Design; 1 year, 3 module)Rus
- News Literacy: News as an Object of Manipulation (Minor; Faculty of Communications, Media, and Design; 1, 2 module)Rus
- Pragmatics of Cinema (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 4 module)Rus
- Project Seminar (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 1-4 module)Rus
- Transmedia Storytelling (Master’s programme; Faculty of Communications, Media, and Design; 1 year, 1-4 module)Rus
Courses (2017/2018)
- Audiovisual Communication: History and Modernity (Minor; Faculty of Communications, Media, and Design; 3, 4 module)Rus
- Basics of Dramaturgy (Bachelor’s programme; Faculty of Communications, Media, and Design; 2 year, 3, 4 module)Rus
- Media Anthropology (Mago-Lego; 3, 4 module)Rus
- News Literacy: News as an Object of Manipulation (Minor; Faculty of Communications, Media, and Design; 1, 2 module)Rus
Editorial board membership
2015–2015: Guest Editor (создание тематического выпуска), Этнографическое обозрение.
Conferences
- 2019VI Транссибирский арт-фестиваль (Новосибирск ). Presentation: Культура в цифровой среде: мультимедийные форматы и сериальные "вселенные"
- Медиа в современном мире. 58-е Петербургские чтения. Presentation: Арт-журналист как публичный интеллектуал
- 2018Арт-журналистика в цифровую эпоху: реалии и прогнозы (Москва). Presentation: Арт-журналистика и иммерсивные медиапрактики: эстетический и этический аспекты
- Медиа в современном мире. 57-е Петербургские чтения. Presentation: Арт-журналистика в современной медиасреде: между пиаром и перформансом.
- 2014
Paradise Found, or Paradise Lost? Nostalgia, Culture and Identity in Central and Eastern Europe (Nanterr). Presentation: Soviet cinema in rural Russia: nostalgia and pursuit of identity.
Publications7
- Article Novikova A., Chumakova V. SOVIET CINEMA AND NOSTALGIA FOR THE USSR IN THE RUSSIAN VILLAGE // Communications. Media. Design. 2019. Vol. 4. No. 2. P. 5-25.
- Article Chumakova V., Novikova A. SOVIET CINEMA AND NOSTALGIA FOR THE USSR IN THE RUSSIAN VILLAGE // Communications. Media. Design. 2019. Vol. 4. No. 2. P. 5-25.
- Article Chumakova V., Novikova A. Yuri Lotman’s cultural semiotics as a contribution to media ecology // Explorations in Media Ecology. 2015. Vol. 14. No. 1+2. P. 73-85. doi
- Article Novikova A. Infotainment on Russian TV as a tool of desacralization of Soviet myths and creation of a myth about the future // IC Revista Científica de Información y Comunicación. 2014. No. 11
- Article Novikova A. Infotainment on Russian TV as a tool of desacralization of Soviet myths and the creation of a myth about the future // La Revista Científica de Información y Comunicación IC. 2014
- Book Новикова А. А. Телевизионная реальность: экранная интерпретация действительности. М. : Издательский дом НИУ ВШЭ, 2013. doi
- Article Novikova A. Myths about soviet values and contemporary russian television // The Russian Journal of Communication. 2010. No. 3/4. P. 281-295.
‘Our Book Is a Small Yet Confident Step in the Development of Museums and Their Projects’
Students of the HSE Master's programme in Transmedia Production in Digital Industries joined efforts with staff of Moscow museums to create an e-book ‘Teenagers at Museums: How Curators and Tutors Help People Find Themselves’. The HSE News Service talked with the project authors about their choice of topic and what it is like to work as a book producer.
Discovering Russia from the Inside and Out
At the end of February, the HSE IGITI Research Centre for Contemporary Culture hosted a roundtable entitled ‘Field Studies in Russia: A Country Familiar and Foreign’. Roundtable participants talked about field work methods and standards, research challenges, and ways to solve them. The participants also discussed the extent to which it is possible to apply international experiences and approaches to field work in Russia as well as ways to study Russia from within and without.
OneButton Video Studio Opened at HSE
HSE has opened its own video studio named ‘OneButton’, launched as part of university’s active development of additional education and blended learning. The new studio helps lecturers to record content for local online courses on their own, without the help of cameramen and editors.
HSE Students Turn Books and Museums into Transmedia Stories
For two years in a row, students in the Master’s programme in Transmedia Production in Digital Industries have worked closely with publishing and museum experts, as well as lecturers from the HSE School of Media to reinvent the role of printed books and the traditional tasks of Russian museums. Some of their book projects were presented at the Non-fiction exhibition this year, and the museum projects will be implemented for the public.
HSE Students Presented Digital Books at non/fictio№18
On November 30, 2016, the ‘Digital Publishing’ course was presented at the book fair non/fictio№18.
Students of the ‘Media production in Creative Industries’ MA programme who have just published several digital collections, spoke about how to produce a book in two months. The lecturers shared their opinion on the challenges and difficulties of the course, and the writers and publicists – on their experience of participating in the project.