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The Development of Equipment and Additional Elements for Street Artists

Student: Bogdanova Anastasiya

Supervisor: Arseny Sergeev

Faculty: Faculty of Creative Industries

Educational Programme: Design (Bachelor)

Year of Graduation: 2018

Theme of the diploma “Development of professional outfit for street artists”. The task of the project is to create equipment and mobile elements designed for specific tasks of street creativity. Street art is an integral part of modern culture. In this regard, this project is aimed at professional artists, as well as real connoisseurs of street art. Artists face some difficults doing outdoor work. First, urban conditions (weather conditions, hard-to-reach locations); secondly, inconvenient hand luggage and incorrectly distributed load do not allow the work to be done quickly and silently. Therefore, there is a need for certain equipment, that will provide ensure mobility, convenience, speed of action, and also relieve the artist of an extra burden, and offer new options for transporting the respective tools. The task of this research is to identify the types of equipment, especially those that include modular and unloading systems. Particular attention is paid to tactical equipment. Tactics - is an integral part of military art. However, it is not limited to purely military sphere, it is more a matter of “civil design”. There are resources that can be noted: a wide range of materials and technologies in the field of tactical and professional equipment, the development of equipment for work in extreme conditions, the existing design solutions for hand luggage and fixtures, and finally, the methods of transforming. Certainly, attempts have already been made to create such a concept. Nevertheless, they are limited to not quite practical sets of clothes that do not meet all the needs of artists. Given that this problem was raised earlier, in fact it is not fully disclosed. In this regard, the significance of this project is growing and provides practical solutions for the above-mentioned problems. The results are the basis for the further creation of professional equipment for street art.

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