The Synthesis of the Modernism and National Armenian Forms in Monumental Architecture by Jim Torosyan

The dissertation examines the impact of historical, social and cultural aspects on late Soviet architecture that took place in Armenia. The research is based on the figure of Jim Torosyan, who used to be the chief architect of Yerevan (the capital of Armenia) from 1972 till 1982. This dissertation challenges the argument that Soviet architects were solely forced to follow the political ideology of the USSR, while the research shows that some freedom was allowed. As a result, Jim Torosyan had the opportunity to implement national Armenian elements, ideas and techniques of modernist architecture in his projects. Data have been collected from archives, interviews, newspapers, and scientific literature. Additionally, the objects of the research – Memorial of the 50th anniversary of Soviet Armenia, Yerevan Cascade, Yerevan City Council, Republic Square Yerevan Metro Station6 Spitak’s Central Square, Buildings at the Mother See of Holy Etchmiadzin - are sources of accurate information as well. The aim of the research is to track the development of his professional approach and personal style by examining the historical importance and artistic value of the architect’s monumental projects. The detailed analysis of the monuments is supplemented by historical and cultural research of the processes that took place in Armenia during the late Soviet period. Also, the study includes a brief biography of the architect Jim Torosyan. Several scientific approaches have been applied in the process of research in order to reach the previously mentioned aim. Firstly, the iconography analysis is implemented in the critical perception of literature as well as social studies are used to recreate the cultural and historical context of the period. Moreover, the formal analysis of the monuments is supplemented by a series of interviews with art historians and architects. As a result of the research, it has become possible to identify Jim Torosyan’s professional approach and personal style as a combination of modern architecture and national tradition while the idea of his projects was always inspired by the history of Armenia. Also, the list of the architect’s projects in chronological order was made up as well.