Магистратура
2024/2025
Кураторство и современное искусство
ID 836052
Лучший по критерию «Полезность курса для расширения кругозора и разностороннего развития»
Статус:
Курс обязательный (Менеджмент в индустрии впечатлений)
Направление:
38.04.02. Менеджмент
Кто читает:
Департамент менеджмента
Где читается:
Санкт-Петербургская школа экономики и менеджмента
Когда читается:
2-й курс, 1 модуль
Формат изучения:
без онлайн-курса
Охват аудитории:
для своего кампуса
Преподаватели:
Маршалл Екатерина Николаевна
Прогр. обучения:
Менеджмент в индустрии впечатлений
Язык:
английский
Кредиты:
3
Course Syllabus
Abstract
The course guides students through the practical steps and procedures of realizing an exhibition – from finalising a concept to launching an exhibition. Throughout the course students will develop a concrete outline of how to realise your exhibition and learn to balance artistic goals with administrative. Students will get acquainted with basic definitions and theoretical concepts of curating. Ways of working with archives and collections will be discussed alongside with actual curatorial practices.
Learning Objectives
- Study of actual curatorial practices
- Involve into the practices of exhibition making
- Explore experimental approaches to curating
Expected Learning Outcomes
- Develop curation as a skill
- Prepare a base for curatorial studies
- Realize public presentation of curatorial project
Course Contents
- Curation: The power of selection
- Who is who?
- Text and context
- Autonomy and institution
- Big project
- Public VS Private VS Common
Assessment Elements
- Exhibition project: The students develop the concept of a curatorial project in accordance with the guidelines given by the instructor. The presentation is an oral defense of the curatorial project. The presentation should be supported with text.
- Assignments: During seminars and at home the students perform different assignments in groups. The assignments correspond with one of the topics of the course and are aimed at improving students’ soft or hard skills. There will be 3 assignments: CASE STUDY ANALYSIS (ANALYSIS OF A CONTEMPORARY ART EXHIBITION) worth 0,1 (10%) of the final course mark; EXHIBITION CONCEPT AND ARTIST SELECTION worth 0,2 (20%) of the final course mark; and EXHIBITION SPACE AND PROJECT DESIGN worth 0,2 (20%) of the final course mark. The detailed description and requirements shall be provided by the instructor in class in due time.
Bibliography
Recommended Core Bibliography
- Artificial hells : participatory art and the politics of spectatorship, Bishop, C., 2012
- The culture of curating and the curating of culture(s), O'Neill, P., 2012
- Ways of seeing, Berger, J., 2008
Recommended Additional Bibliography
- Obrist, H.-U., Bovier, L., & Ebooks Corporation. (2008). A Brief History of Curating : By Hans Ulrich Obrist. Zurich: JRP | Ringier. Retrieved from http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edsebk&AN=945579