For a long time, it was mainly art and theatre critics who wrote for a wide audience about dance from a spectator’s perspective. Later, philosophers and ethnographers began to study dance from different angles. But only when people with first-hand experience, i.e. dancers, joined in, did dance and movement studies get off to a real start. Irina Sirotkina explains how dance studies evolved in the 20th century.
The October Revolution created a new cinema. At first, 'the most important of all arts' struggled to keep up with social transformations and was not yet used as a weapon in the fight for a communist culture. But the mid-1920s, an innovative, cutting-edge film industry had emerged from sources such as theatre, street performance, posters, poetry and circus shows. This industry was able to do what the politicians had failed to achieve, namely trigger a world revolution.
Cultural Evolution, a new book by Ronald Inglehart, American sociologist, professor at the University of Michigan and academic supervisor of the HSE Laboratory for Comparative Social Research, is currently being prepared for publication in Russia. Russian readers will be the first to read the prominent scholar's book, as its Russian translation will come out before the American original. The Russian translation of the book has been prepared by the Liberal Mission Foundation and the LCSR.
Even today, ages-old folk culture can serve as a basis for collective identity by bringing together people who share this interest and underlying values, as evidenced by Russia's folk heritage movement. According to Rostislav Kononenko, Senior Lecturer at the HSE's Department of General Sociology, and Evgenia Karpova, Master's student at the HSE, the folk heritage movement in Russia is driven by urban intellectuals working to preserve and promote authentic folk culture.
Evgeniy Anisimov, Professor of History and Chief Research Fellow at the Centre for Historical Research (HSE Campus in St. Petersburg), has received the Russian government’s award for 2014 in the field of culture. The award recognizes Anisimov for the International Congress of the Towns and Cities of Peter the Great, a cultural and educational programme in which he serves as academic supervisor.
On November 11, the HSE hosted an open lecture by Mayor of Milan Giuliano Pisapia. He talked about the upcoming international exhibition Expo 2015, which will take place in Milan from May-October next year, and about the transformations underway in Milan as an urban environment. He extended an invitation to HSE to take part in Expo Milano 2015, saying that Milan was 'ready to offer a forum for interesting projects' proposed by leading universities.
From November 10 to 14, the HSE Laboratory for Comparative Social Research’s (LCSR NRU HSE) 4th International Annual Research Conference ‘Cultural and Economic changes under cross-national perspective’ will take place in St. Petersburg. The programme includes dozens of themed sessions on current social, political and economic problems, and lectures by the world’s leading sociologists.
Galin Tihanov, George Steiner Professor of Comparative Literature at Queen Mary, University of London, will deliver a series of three lectures at the Higher School of Economics this week. His most recent research has been on cosmopolitanism, exile, and transnationalism. Professor Tihanov recently sat down with the HSE news service to speak about his research and teaching interests, including his work on Russian literature.
Professor Gerrod Parrott from Georgetown University has come to the HSE for a brief visit to deliver a series of lectures to master’s students at the Faculty of Psychology. On October 17 he also gave a public lecture on ‘Effects of American and Russian Cultures on Emotions’. The aim of the presentation was to introduce several research topics, describe preliminary findings and explore possibilities of collaboration with Russian researchers in this field.
HSE Perm’s Associate Professor in the Department of Foreign Languages Svetlana Strinyuk gave a lecture on the influence of Modernism on contemporary Irish literature at the annual conference of the European Society for the Study of English (ESSE).